![]() Busses and the master buss also sport the comp/limiter along with low/mid/high filters and tape saturation. I love having a trim knob along with an EQ section, a comp/limiter, a PHASE BUTTON(!), knob aux sends, etc on a channel strip. In fact, if you're used to working on a console the mixer view might be enjoyable. Being an early user of Ardour (in my *nix days), I knew the GUI would leave a lot to be desired (which it did) but it's not horrible. But considering Harrison's workflow quirks, 40 min seemed like good time. Mind you, I was familiar with the song and I knew where my targets were. Within 40 minutes I had the mix up, sounding good and very different from my previous results. ![]() So I installed it (a VERY light package of ~59MB for OSX 10.9) and imported waves from a current session (rock and roll) which I've already mixed in Logic Pro X (I've used this song to do all my testing so far). Today I received my license for Mixbus2 (via RSPE Audio). ![]() So far, I've purchased a few of those and I've had good results. I ended up trying the Slate stuff (VBC, VTM, VCC), Satin, Waves J37/Kramer Tape, Sonimus stuff, ToneBoosters stuff, Softube stuff, etc. With the new breed of tape, transistor, transformer, and non-linear algos/etc my free time has been spent researching, comparing, and demoing plugs in hopes for an easier mixing experience, sonically. Recently I've been on a hunt for new plugins after being out of the recording phase of music for a while. I picked this up after reading a few threads about Mixbus2 which piqued my interest.
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